0205विशुद्धि धर्म
The five dharmas

The second of the five dharmas of Siddha Dharma

Vishuddhi Dharma

विशुद्धि धर्म · Viśuddhi Dharma

Thorough purification

Vishuddhi Dharma approaches Ishwar without form through contemplative meditation and inner purification.

विशुद्धि धर्म

Nirguṇa Upāsanā

Vishuddhi Dharma, also known as Nirguṇa Upāsanā
Place
Second of five dharmas
Other name
Nirguṇa Upāsanā
Approach
Inner purification

Vishuddhi Dharma (विशुद्धि धर्म, Viśuddhi Dharma) is the second of the five dharmas of Siddha Dharma. The tradition also calls it Nirguṇa Upāsanā (निर्गुण उपासना), the worship of the one without attributes.

Viśuddhi is thorough purification, purity carried all the way through, into the corners, until nothing is left that was not already clean, and so the name describes the method as much as the goal.

Section 01

What this dharma is

Where Deva Dharma reaches Ishwar through form, Vishuddhi Dharma reaches for Ishwar without any. Its object is nirguṇa. That is the divine free of attributes, the pure and unmanifested essence behind every manifestation, behind the mūrti and the mask and the mountain and the name. Its means are contemplative meditation and inner purification, the steady clearing of the seeker's own inner ground, year after year, until what remains is what was always there.

Siddha Dharma describes it as a path of transcendence. It goes beyond the physical manifestations of the divine to connect with the ultimate truth. So the practitioner of Vishuddhi Dharma need not set a mūrti before himself. What he attends to is the one whom the mūrti stands for, and he attends to it by becoming clear enough to perceive it, which is slower work than it sounds.

Section 02

Its place among the five

This is the dharma that answers the question people put to every tradition of images, sooner or later, in the temple or on the way home from it, when the lamp has been lit and the bell has been rung and the deity has been fed and someone, usually a child, asks what is actually behind the image. Behind it, what?

It stands next to Deva Dharma, and the two are not in competition. The oldest layer of this tradition, Ko Boonak of the Kopokhojaa era, is recorded as recognising Ishwar with form, Ishwar without form and Ishwar in avatar, all three at once, and refusing to rank them. So the worship of the formless is no late arrival here, and Vishuddhi Dharma is the road Siddha Dharma keeps open for it.

Section 03

What its people hold

  • Ishwar is nirguṇa, beyond every attribute, and the attributes are not the thing itself.
  • The way to the formless is contemplative meditation and inner purification, the clearing of what obscures the pure essence, in the seeker's own habits and fears and the noise he carries.
  • The path goes beyond the physical manifestations of the divine, without denying them, toward the ultimate truth.

Section 04

Its granthas and Siddhas

Reserved for a future entry from the tradition's record.

Section 05

Its practices

Reserved for a future entry from the tradition's record.

Section 06

Vishuddhi Dharma in a modern frame

The historian of religion has a fair question here. In most traditions the worship of the formless comes late, as a refinement worked out by scholars long after the deity of the village, and so putting Vishuddhi Dharma second in a list of five looks like putting it in its historical place.

The people of this tradition would not recognise the sequence. Their record has the formless recognised at the very beginning, in the first of the four old currents, alongside the form and never against it. What Vishuddhi Dharma adds is a way of living toward that recognition. Day by day, by inner purification, for the person whose temperament asks for it. It is second in the list because it is second in the list, and a tradition that has held the form and the formless together from its first layer has no reason to read a ranking into that.

What Vishuddhi Dharma is, and what its people hold, follows the published Siddhapedia account of Siddha Dharma. The plain meaning of the Sanskrit is the writers' gloss, and the closing section is a reading offered by the writers, not the tradition's own wording.